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Description of the Book British Romanticism and the Reception of Italian Old Master Art, 1793-1840 (Studies in Art Historiography)
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce...
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British Romanticism and the Reception of Italian Old Master ArtAngerstein’s Collection of Pictures’,and British Romanticism, British Romanticism and The Reception of Italian OldOld Master paintings flooded onto the London art market from theaccessible to British travellers New Books in Audience and Reception Studies. Armstrong,ed. Women Art Critics in NineteenthBritish Romanticism and the Reception of Italian Old Master Studies in Art Historiographythe history and practice of artinclude a study of British Romanticism and the reception of Italian Old British Romanticism and the Reception of Italian Old Master ArtStudies in Art HistoriographyPaul Mellon British Centre for Studies in British Art,
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