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Description of the Book British Rock Modernism, 1967-1977: The Story of Music Hall in Rock (Ashgate Popular and Folk Music Series)
British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pist...
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Commentators often distinguish British rhythm and blues bands from beat bands (who were influenced by rock and roll and rockabilly) on the one hand, and, from "purist Leo J. Blanken, Rational Empires: Institutional Incentives and Imperial ExpansionC.D. Blanton, Epic Negation: The Dialectical Poetics of Late Modernism, OUP
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